Showing posts with label dystopias. Show all posts
Showing posts with label dystopias. Show all posts

Wednesday, June 22, 2022

Utopias and Dystopias

Utopias, the descriptions of fictitious perfect societies, owe their name to Thomas More's Utopia (1516), a title of Greek origin that literally means nowhere. Before and after More's work there have been many other utopias, each one to the liking of its author, for the question of the perfect society gives a lot of play to the imagination. Examples include Plato's Republic, Tomasso Campanella's The City of the Sun (1602), Francis Bacon's New Atlantis (1627), Bulwer Lytton's The Coming Race (1871), Edward Bellamy's Looking Backward (1888, see this post), William Morris's News from Nowhere (1890), James Hilton's Lost Horizon (1933), or Aldous Huxley's Island (1962).

Thursday, February 23, 2017

Toward Brave New World

Cover of Brave New World's 1st edition
Just as a utopia is a literary work that describes a perfect society, from the point of view of its author, a dystopia is the description of a society where certain characteristics of the world in which the author lives, which he considers unacceptable, are exaggerated and carried to the extreme, with a satirical or denouncing intent.
The two world wars caused a feeling of disillusionment in the West that gave rise to the two most famous dystopias of recent history: Brave New World by Aldous Huxley (written in 1931, published in 1932) and Nineteen-Eighty-Four by George Orwell (written in 1948, published in 1949). These two works are original in another sense: while other earlier dystopias (such as Samuel Butler's Erewhon, 1872) were located in remote places, such as the Antipodes, the two modern dystopias take place in the future.
The feeling of oppression that seizes the reader of these two novels is almost unbearable. In both cases, the very few nonconformists in society are excluded: in the first, they are banished to an island; in the second, the exclusion is only temporary: the rebel is submitted to brainwashing so as to destroy his spirit and turn him into a mental waste, raw material on which the social planner can act, remodel and educate until he is recovered and adapted to society. The two dystopias are horrible, but they have a very great power of conviction and verisimilitude.