Christianity and Anti-Christianity in Fantasy and Science Fiction

A new book of mine has just been released with the same title as this post. It was published in Spanish by CEU Ediciones, and in English by Amazon.

There is a fairly widespread idea that we shouldn’t speak about Christian literature as a literary genre, except perhaps in fantasy, where the Christian character of such famous literary works as J.R.R. Tolkien's The Lord of the Rings or C.S. Lewis's The Chronicles of Narnia cannot be denied. In science fiction, the matter is not so clear. However, no one doubts that atheist literature does exist.

My book starts from the premise that an evident Christian literature exists in both genres, and demonstrates this by analyzing a series of authors and literary works, without neglecting anti-Christian literature, to which almost a third of the work is dedicated.

My predilection for fantasy and science fiction has been clear in this blog, given that over almost 12 years I've dedicated 34 posts to those two genres in literature and film; in other words, more than 6% of the posts.

A Canticle for Leibowitz

This novel, one of my favorites in the science-fiction genre, belongs to the catastrophic subgenre, also called post-apocalyptic. This is its summarized argument:

An atomic war has destroyed our civilization. After the catastrophe, the surviving masses hate science and books, considering them responsible for the tragedy. In the same way as after the fall of the Roman Empire, the Catholic Church collects the remains of knowledge and preserve them for posterity, so they can be used by a new civilization, capable of understanding them, if one day it would arise. But when this happens, history repeats and man self-destructs again.

The 25 science fiction stories I most liked

Isaac Asimov

In the United States fiction is classified depending on the length of the work, with four subsequent stages:

1. Novel, any work that has more than 40,000 words.
2. Novella, a work between 17,500 and 40,000 words.
3. Novelette, between 7,500 and 17,500 words.
4. Short Story, less than 7,500 words.

Naturally, the limits are not strict, and in practice they depend on who classifies each book. In Spanish, however, we have fewer categories:

1. Novel.
2. Short novel, which applies to works of intermediate length.
3. Story, with few characters and a simple plot.

The best 40 science fiction novels I have read

Blade Runner poster

Lists of favorite books have always existed, and with the rise of the Internet they have proliferated. That’s why I decided to make a new list (in case there were not enough). But what I’m showing here is not just the list of my favorite books in this genre, but something a little more complex.

To build the list, I started with four lists made by others, sometimes individually, sometimes collectively. For example, one of those lists has been created in Goodreads, the social network for books, is called Best Science Fiction and contains over 2,000 books. In order to build this list, the members of Goodreads vote (almost 1000 people have voted for at least one book), together with the book’s score and the number of people who have read it (in some cases several million).

To form my new list I used the following criteria:

1. It just contains books that I have read.
2. It does not contain books that I have read, but did not like at all (i.e. those I would assign one star in the Goodreads or Amazon ratings). As an example of these books I will mention Do androids dream with electric sheep? by Philip K. Dick. Its argument is based on an interesting idea, but the way it has been developed in the form of a novel is deplorable, sometimes absurd. This is one of the rare cases where the film based on a book (Blade Runner) turned out to be far superior to the original work.
3. Therefore, if one of your favorite books is not listed here, it may be for three reasons: because I have not read it, because I did not like it at all, or because it didn’t come among the top 40 in the average of the lists I have used to build mine.
4. It only contains science fiction books. The Lord of the Rings, for example, has not been included, although it is on one of these lists, because I don’t consider it science fiction.

The end of mankind

Lord Kelvin

In an earlier post in this blog I spoke about the myth of the Enlightenment, which gave rise to the theory of indefinite progress and the forecast of enormous advances for humankind that would be within our reach in the not too distant future. Although the first half of the eighteenth century was a brake on almost all the cultural activities of our civilization, including science, they were delighted with themselves. Friedrich Melchior, Baron von Grimm (1723-1807), expressed it with unequaled candor, in these words [1]:

The eighteenth century has surpassed all the others in the praises it has lavished on itself.

One of the ideas in vogue by that time was the assumption that scientific advances would let man reach immortality, not too far in time. Although the idea, as a distant possibility, goes back to Roger Bacon, it seemed much closer in the late eighteenth century. Hence the anecdote told of the octogenarian wife of marshal Villeroi, who exclaimed, while looking at Professor Charles’s ascent in a hydrogen balloon:

Yes, it is true! They’ll discover the secret of not dying, after I’ll be dead!

The optimistic ideas of the eighteenth century suffered a sudden, impressive turn in the nineteenth, when came to dominate a pessimistic vision of the future of mankind, based mainly on two scientific discoveries:

Dark benediction

Walter M. Miller Jr.

Walter M. Miller Jr. was an American author of science fiction, known for a single book that has become a classic: A Canticle for Leibowitz, possibly one of the best science fiction novels of all time, at least among those in the apocalyptic sub-genre, which describes what might happen after a total nuclear war.

The novel is divided into three parts: In the first, Fiat Homo, the world is just beginning to recover from the disaster. As in the centuries following the fall of the Western Roman Empire, the Catholic Church takes the responsibility for saving what little remains of classical culture (ours) through the monks of an order founded by one man, Leibowitz, who before the nuclear conflagration was an electrical engineer. In the second part, Fiat Lux, several centuries have gone by, a new civilization has emerged and the world is entering a new Renaissance. In the third, Fiat Voluntas Tua, this civilization has reached its peak, materialism comes back, and history threatens to repeat itself. But this time Miller leaves a possible escape open: the colonization of the galaxy.